• 2 Posts
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Joined 1 year ago
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Cake day: July 21st, 2023

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  • Sure, unless there was a correlation between the technologies deployed by the individual companies and their vulnerabilities.

    I’m not saying there is in this case, but it’s a phenomenon we see all the time in systems ranging from technological to immunological. When network (social, computer, whatever) connect systems with correlated vulnerabilities, there can be cascading failures that do not spread outside those networks. It’s been so long (over 30 years) since I’ve even thought about RF and related systems that I have no idea what specific or proprietary technologies the major companies have, so I just shrugged it off as I was unaffected, and penciled in that there may have been a correlation with solar activity.


  • You’re absolutely right. In my memory, though, the ones that stick out the most are the ones where the hero is pro-corporate but in an anti-corporate way. I’m thinking about movies like Working Girl, 9 to 5, and Secret of My Success, and even Other People’s Money. The villains were the very straight and square boss types and the heroes were the young(er) upstarts who could out-business them. OPM was a little different but I think it fits the theme.

    The main difference I’m seeing is that even in the pro-capitalism shows, it was still all about sticking it to the man. If the good guys were cops, the man was the chief of police. If the good guys were businessmen, the man was their boss. If the good guys were soldiers, the man was their CO, or the generals or politicians back in Washington.

    Maybe it’s purely subjective on my part, but it seems like there’s a lot more pro-authority movies being made now. You can’t take a movie like Top Gun (which still had the shaggy haired rebel as well as one of the most homoerotic themes in mainstream cinema at the time) with something like Bill Murray in Stripes. Stripes is great comedy that I’d place almost at the level of Caddyshack, but even though both movies could have been shown by recruiters to get people to enlist, Stripes was still a goofball comedy of the slobs against the snobs (with the snobs in this case being their leadership).

    I’d really like to get back into that kind of default cultural image. Cops were mostly corrupt (Serpico) or idiots (Cannonball Run), or else inept (Escape from New York, or all of those stupid Charles Bronson movies).

    It just feels like we hit that point where the default is to love Big Brother.


  • Wasn’t there also a report today (I think) about an unusual level of sunspot activity? Without digging into it, I think I sort of just assumed they were related.

    I have AT&T fiber and a Verizon iPhone and I didn’t notice disruptions on either. My partner has an AT&T iPhone and didn’t notice any issues.


  • Ironically, Robocop would have defended him from the terminators.

    I really do miss the 80s/90s era anti-capitalist dystopian future movies. We have the Purge series now, which has been pretty good (at least 3 and 4), but nothing approaching the massive numbers of productions ranging from They Live to Rollerboys to Robocop to Running Man and so many others.

    It feels like we’ve hit a tipping point where subconsciously at least we’ve figured out we’re actually the bad guys from Red Dawn and the Wolverines are the people we’re killing, and just decided to lean into it. I’m waiting for Handmaid’s Tale to get a Birth of a Nation makeover in the next ten years.






  • This the order in which you should try to access papers:

    1. Normal Internet search including quotes to force the title and components like “pdf”
    2. Organizational/lab pages of the authors. Very many people will put either full papers or preprints on their personal professional pages.
    3. Preprint services like arXiv. The ones you look at will be determined by subject area. Preprints will usually only differ from the published work in formatting.
    4. Just email the authors. Most of us are so happy that virtually anyone wants to read the paper we spent months on that we will happily send a copy. Because people are busy you might need to hit them up a couple of times, but most will be more than happy to send you a copy, and most publications specifically carve out to allow authors to do that.







  • I agree with you, but it’s generally not too far off. The prefrontal cortex is the most recent part of the brain to evolve, and it’s the most “human” part of the brain. The PFC continues to develop over adolescence, only finishing in the early-mid 20s.

    That’s the part of your brain responsible for pushing back on emotion driven reactions and doing more strategic planning, among other things.



  • Spoiler warning

    Okay, so Clockwork was Anthony Burgess’ least favorite book. In the same way that Sir Alec Guinness hated his role as Obi-Wan in Star Wars, he felt it was populist schlock unworthy of himself as an artist. I think that we have to lay that aside. Although intuitively we might think the artists know their own work best, it’s not always the case.

    Clockwork is about a youth becoming an adult. It’s also about mind control and the culture of violence, but the main theme is about growing up. There are 21 chapters because 21 is considered the age of maturity.

    In chapter 21, Alex has been “reset” to his old violent ways in the previous chapter, but is now looking back on his violent youth and realizing he’s outgrown it. He’s thinking of getting a job and having a family. The problem was that the American publisher completely missed the point of the book and thought the last chapter was a cop out and that American readers could handle the ending on the down note of Alex becoming violent again. Burgess wanted the money, so he agreed and the US version was published with only 20 chapters.

    Kubrick chose to go with the American version of the book because he’s just that kind of guy, but it’s left tens of millions of people completely misunderstanding the story. This alone makes me sympathetic to Burgess’ opinion of his own book.

    Anyway, that’s the story of chapter 21.